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March Theme: Women's History

by James Gilmer on 2023-03-01T09:00:00-05:00 | 0 Comments

Join us in celebrating uniqueness! Choose from this curated selection of physical titles within Pfeiffer Library that honor Women's history, all readily available on our display case:

Cover ArtHood Feminism by Mikki Kendall
Call Number: E185.86 .K46 2020 CCU
ISBN: 9780525560548
Publication Date: 2020-02-25
A NEW YORK TIMES BESTSELLER    "The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women." --Ibram X. Kendi #1 New York Times-bestselling author of  How to Be an Antiracist, in The Atlantic    "One of the most important books of the current moment."--Time  "A rousing call to action...It should be required reading for everyone."--Gabrielle Union, author of We're Going to Need More Wine      A potent and electrifying critique of today's feminist movement announcing a fresh new voice in black feminism    Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?    In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.
 
Cover ArtGods of the Upper Air by Charles King
Call Number: GN308.3.U6 K55 2019 CCU
ISBN: 9780385542197
Publication Date: 2019-08-06
2020 Anisfield-Wolf Book Award Winner  Finalist for the National Book Critics Circle Award    From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered it--a sweeping chronicle of discovery and the fascinating origin story of our multicultural world.    A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled "primitive" or "advanced." What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature. In Gods of the Upper Air, a masterful narrative history of radical ideas and passionate lives, Charles King shows how these intuitions led to a fundamental reimagining of human diversity. Boas's students were some of the century's most colorful figures and unsung visionaries: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is among the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now classic novel, Their Eyes Were Watching God. Together, they mapped civilizations from the American South to the South Pacific and from Caribbean islands to Manhattan's city streets, and unearthed an essential fact buried by centuries of prejudice: that humanity is an undivided whole. Their revolutionary findings would go on to inspire the fluid conceptions of identity we know today. Rich in drama, conflict, friendship, and love, Gods of the Upper Air is a brilliant and groundbreaking history of American progress and the opening of the modern mind.
 
Cover ArtWhite Feminism by Koa Beck
Call Number: HQ1233 .B423 2021 CCU
ISBN: 9781982134419
Publication Date: 2021-01-05
Written "with passion and insight about the knotted history of racism within women's movements and feminist culture" (Rebecca Traister, New York Times bestselling author), this whip-smart, timely, and impassioned call for change is perfect for fans of Good and Mad and Hood Feminism.    Addressing today's conversation about race, empowerment, and inclusion in America, Koa Beck, writer and former editor-in-chief of Jezebel, boldly examines the history of feminism, from the true mission of the suffragists to the rise of corporate feminism with clear-eyed scrutiny and meticulous detail. She also examines overlooked communities--including Native American, Muslim, transgender, and more--and their ongoing struggles for social change.    With "intellectually smart and emotionally intelligent" (Patrisse Cullors, New York Times bestselling author and Black Lives Matter cofounder) writing, Beck meticulously documents how elitism and racial prejudice have driven the narrative of feminist discourse. Blending pop culture, primary historical research, and first-hand storytelling, she shows us how we have shut women out of the movement, and what we can do to correct our course for a new generation.    Combining a scholar's understanding with hard data and razor-sharp cultural commentary, White Feminism "is a rousing blueprint for a more inclusive 'new era of feminism'" (The Boston Globe).
 
Cover ArtDaughters of Hecate by Kimberly B. Stratton (Editor); Dayna S. Kalleres (Editor)
Call Number: BF1621 .D37 2014
ISBN: 9780195342703
Publication Date: 2014-11-03
Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.    The authors probe the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.    By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates a false association that has persisted from antiquity, to early modern witch hunts, to the present day.
 
Cover ArtAngels of the Underground by Theresa Kaminski
Call Number: D802.P5 K36 2016
ISBN: 9780199928248
Publication Date: 2015-12-14
When the Japanese began their brutal occupation of the Philippines in early 1942, 76,000 ill and starving Filipinos and many Americans were left to defend Bataan, Manila, and surrounding islands. During the three violent years of occupation that followed, Allied sympathizers smuggled supplies and information to guerilla fighters and prisoner camps around the country. Theresa Kaminski's Angels of the Underground tells the story of two such members of this lesser-known resistance movement - American women known only as Miss U and High Pockets. Incredibly adept at skirting occupation authorities to support the Allied effort, the very nature of their clandestine wartime work meant that the truth behind their dangerous activities had to be obscured as long as the Japanese occupied the Philippines. Were their identities revealed, they would be arrested, tortured, and executed.Throughout the war, Miss U and High Pockets remained hidden behind a veil of deceit and subterfuge. Angels of the Underground offers the compelling tale of two ordinary American women propelled by extraordinary circumstances into acts of heroism. Married to servicemen, Peggy Utinsky and Claire Phillips, the women behind Miss U and High Pockets, hoped that their clandestine efforts would reunite them with their husbands. Both men died at the hands of the Japanese, but Utinsky and Phillips stayed on through the occupation, working in hospitals, moving supplies, and building their networks. Utinsky narrowly survived a month of torture at Fort Santiago, then joined John Boone's guerilla band and became a brevet second lieutenant before returning to the Red Cross until the end of the war. Phillips barely escaped execution in 1943, and was sentenced to hard labor in a prison camp, where she remained until February 1945.Angels of the Underground illuminates the complex political dimensions of the occupied Philippines and its importance to the war effort in the Pacific. Kaminski's narrative sheds light on the Japanese-occupied city of Manila; the Bataan Death March and subsequent incarceration of American military prisoners in camps O'Donnell and Cabanatuan under horrific conditions; and the formation of guerrilla units in the mountains of Luzon. Angels of the Underground makes a significant contribution to the work on women's wartime experiences. Through the lens of Utinksy and Phillips, who never wavered in their belief that it was their duty as patriotic American women to aid the Allied cause, Kaminksi highlights how women have always been active participants in war, whether or not they wear a military uniform. An impressive work of scholarship grounded in archival research and personal interviews, this is also a stunning story of courage and heroism in wartime.
 
Cover ArtCloser to Freedom by Stephanie M. H. Camp
Call Number: E443 .C36 2004
ISBN: 0807828726
Publication Date: 2004-09-13
Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition.        Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties ("frolics") become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts.        The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.
 
Cover ArtPetticoats and Pinstripes by Sheri J. Caplan
Call Number: HG2463.A2 C3697 2013
ISBN: 9781440802652
Publication Date: 2013-06-17
This fascinating work presents biographical essays about women from the colonial period to modern times, chronicling the previously untold story of the female financial experience in the United States.  Petticoats and Pinstripes: Portraits of Women in Wall Street's History provides a fascinating chronological account of the contributions of women on Wall Street through profiles of selected individuals that set their achievements in the context of the prevailing times. The book documents how women frequently assumed financial roles as a temporary palliative to the nation's ills, only to be cast aside once conditions improved, and how they were often restrained from financial endeavors by various factors, including American legal, political, economic, and cultural norms. Author Sheri J. Caplan describes the accomplishments of women in the financial world against the backdrop of the general advancement of women's rights and the evolution of gender-based roles in society, and identifies the primary factors in the development of a greater female role in finance: wartime urgency, personal necessity, technological change, and financial education.  Explores the female financial experience in the United States from the colonial period to modern times Presents the history of women on Wall Street by placing personalities in the context of both Wall Street's development and prevailing political and cultural times Identifies common themes and issues confronted by women in finance Provides two quick-reference appendices, one describing the significance of particular women and a second that provides a chronology of milestones
 
Cover ArtFeminism and Criminology by Ngaire Naffine
Call Number: HV6030 .N33 1996
ISBN: 9781566395076
Publication Date: 1997-03-03
Naffine concisely states the principal thesis of this book at the outset: "... that criminology is still a discipline dominated by men, and that its subject matter is also male-dominated." Despite the very large volume of feminist work produced over the past 25 years or so, she makes the further claim that this work has not been adequately integrated into criminology as a discipline. In the first part of this book, Naffine reviews the history of criminology and the emergence of a male-centered frame of reference to document her themes. Traditional "scientific" criminology rendered women largely invisible, but even the newer, critical criminological perspectives have largely marginalized women. Contributions and some limitations of contemporary feminist criminology are considered in this context. In the second part, Naffine attempts to show--with special attention to the case of rape and an interpretation of female-produced crime fiction--how male dominance within criminology can be challenged. The author certainly advances her case in a provocative and imaginative way, although at points she seems to overlook some relevant, significant work that has in fact challenged the male-centered perspective, e.g., the work of Jim Messerschmidt. Upper-division undergraduates and above. Copyright 1999 American Library Association
 
Cover ArtPistols and Petticoats by Erika Janik
Call Number: HV8023 .J36 2016
ISBN: 9780807039380
Publication Date: 2016-04-26
A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years    In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn't the first or only policewoman, but she became the movement's most visible voice.    Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic-traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.    Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie's Miss Marple, Sara Paretsky's V. I. Warshawski, Patricia Cornwell's Kay Scarpetta, and Sue Grafton's Kinsey Millhone, as well as TV detectives such as Prime Suspect's Jane Tennison and Law and Order's Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.    Pistols and Petticoats tells the story of women's very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.
 
Cover ArtThriving in an All-Boys Club by Cara Rabe-Hemp
Call Number: HV8023 .R325 2018
ISBN: 9781442274297
Publication Date: 2017-12-22
In 1845 women entered the career of policing, and ever since it's been an evolving history for them. There are countless stories of women shaping this career, adding particular gifts and abilities to the profession. There are, also, countless stories of their struggles to fit in and survive in this "all-boys club." Thriving in an All Boys Club: Female Police and Their Fight for Equality examines one of the most debated issues surrounding female police officers - their ability to find acceptance in the male subculture. Through the stories of women who joined policing in the 1980s, 1990s and 2000s, readers learn that women's acceptance in policing is complex and officer's experiences are wide-ranging. Stories of resistance and harassment by colleagues, the glass ceiling in promotion, and gender specific obstacles related to pregnancy and childcare are common. Their stories show a strong sense of determination and perseverance to perform the duties of police officer. The potential for enduring change in the field of policing is growing as women continue to make strides in achieving high ranks, breaking down assignments barriers, and ensuring just opportunities for future generations of female police officers. Despite the struggles that women face to survive in the "all-boys club" of policing, women not only survive, most thrive in this almost exclusively male occupation.
 
Cover ArtImagining Medea by Rena Fraden
Call Number: HV8861 .F73 2001
ISBN: 0807826596
Publication Date: 2001-11-10
This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives.        Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change. Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
 
Cover ArtThe Handmaid's Tale by Margaret Atwood
Call Number: PR9199.3.A8 H3 1986
ISBN: 9780385490818
Publication Date: 1998-03-16
#1 NEW YORK TIMES BESTSELLER * An instant classic and eerily prescient cultural phenomenon, from "the patron saint of feminist dystopian fiction" (The New York Times). Now an award-winning Hulu series starring Elizabeth Moss.    Look for The Testaments, the bestselling, award-winning the sequel to The Handmaid's Tale   In Margaret Atwood's dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead's commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid's Tale is a modern classic.    Includes an introduction by Margaret Atwood
 
Cover ArtHidden Figures by Margot Lee Shetterly
Call Number: QA27.5 .L44 2016
ISBN: 9780062363596
Publication Date: 2016-09-06
The #1 New York Times bestseller  -WINNER OF ANISFIELD-WOLF AWARD FOR NONFICTION    -WINNER BLACK CAUCUS OF AMERICAN LIBRARY ASSOCIATION BEST NONFICTION BOOK    -WINNER NAACP IMAGE AWARD BEST NONFICTION BOOK    -WINNER NATIONAL ACADEMIES OF SCIENCES, ENGINEERING AND MEDICINE COMMUNICATION AWARD  The phenomenal true story of the black female mathematicians at NASA at the leading edge of the feminist and civil rights movement, whose calculations helped fuel some of America's greatest achievements in space--a powerful, revelatory contribution that is as essential to our understanding of race, discrimination, and achievement in modern America as Between the World and Me and The Immortal Life of Henrietta Lacks. The basis for the smash Academy Award-nominated film starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kirsten Dunst, and Kevin Costner.  Before John Glenn orbited the earth, or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as "human computers" used pencils, slide rules and adding machines to calculate the numbers that would launch rockets, and astronauts, into space.  Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South's segregated public schools, they were called into service during the labor shortages of World War II, when America's aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam's call, moving to Hampton, Virginia and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory.  Even as Virginia's Jim Crow laws required them to be segregated from their white counterparts, the women of Langley's all-black "West Computing" group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens.  Starting in World War II and moving through to the Cold War, the Civil Rights Movement and the Space Race, Hidden Figures follows the interwoven accounts of Dorothy Vaughan, Mary Jackson, Katherine Johnson and Christine Darden, four African American women who participated in some of NASA's greatest successes. It chronicles their careers over nearly three decades they faced challenges, forged alliances and used their intellect to change their own lives, and their country's future.

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